NBC's Brian Williams' was the target of
a number of toons this week, but most of them have to do with the
harm his "mistake" that he "would not have chosen to
make" – that is, his fabricating
a heroic survival story from his Iraq-embed days at the beginning
of the war, and then doing nothing for years to fix the record –
did to his own reputation, or to NBC's.
I'm not sure I ever watched an episode
of the NBC Nightly News since Williams took over from Tom Brokaw. In
fact, I'm not at all sure I watched it much during the Brokaw years.
By then I was getting more and more of my news from online and
alternative print sources . Once the NBC Nightly News took on an
opening/closing theme by Star Wars/Indiana Jones/Superman soundtrack
composer John Williams, it no longer seemed clear why I should
bother. I could simply plug in a videotape or DVD and get at least
the same entertainment value.
Williams is credited as both anchor and
"managing editor" of the NBC Nightly News, the latter
probably explaining why he was given the luxury of "taking
himself off the air" and naming his temporary successor,
rather than getting shit-canned outright by his dodge-the-bullet
bosses. If only he'd had the presence of mind of Tom
Grunick, who was self-aware enough to take the national news
anchor job but not the joint editorial appointment.
Point being: I don't really care what
harm Williams has done to his own career or credibility; there are
legions of replacements for him out there. I care about the harm that
he – and pretty-face news infotainment readers like him -- have
helped do to journalism.
And as another symptom of what a sorry
state American journalism is in, America is experiencing the first
measles outbreak since the disease was done in back around 2000. As a
p3 favorite famously said, America is facing a war on
expertise – in this case from the doofy New Age left as well as the
paranoid, antigovernment, home-schooled right – and expertise is
losing. Sorry, all you unvaccinated kids who are contracting the
dangerous disease, but it's the price of Freedom! Otherwise, it's
just another mistake we would not have chosen to make, I suppose.
Today's toons were selected by still
more mistakes we would not have chosen to make, from the week's
offerings at McClatchy
DC, Cartoon Movement,
Go Comics, Politico's
Cartoon Gallery, Daryl
Cagle's Political Cartoons, About.com,
Cartoon Movement, and
other fine sources of toony goodness.
p3 Picks of the week: Mike
Luckovich, John
Deering, Joel
Pett, Signe
Wilkinson, Clay
Bennett, Jeff
Danziger, Mike
Keefe, Matt Wuerker, and Monte
Wolverton.
p3 Legion of Merit: Lalo
Alcaraz.
p3 Certificate of Harmonic Toon
Convergence (Part 1): Gary
Varvel and Lisa
Benson.
p3 "One Death is a Tragedy,
Thousands is a Statistic" Commendation: Ted
Rall.
p3 World Toon Review: blah
Ann Telnaes has a puzzler:
What's the difference between the Islamic State and cockroaches?
Answer: One
runs when you turn on the lights.
Mark Fiore looks with some
measure of understandable dread about an
issue that could make its way into the 2016 presidential primaries.
Unless something even stupider (remember Benghazi!?) takes its place,
I suppose.
Milestones: Mort Drucker, of the
p3 pantheon of gods, was
this week named the
first-ever recipient of the National Cartoonists Society's lifetime
Medal of Honor. When Johnny Carson asked Michael J. Fox in 1985
when he knew he'd made it in show business, the young breakout star
of "Family Ties" replied,
"When Mort Drucker drew my head."
Tom Tomorrow celebrates – sort
of, maybe 50-50, maybe less – the
liberation of Biff..
Keith Knight labors
to survive
his inlaws.
Tom the Dancing Bug brings
you Kittens
Reciting Dialog from Blade Runner, which ought to be enough by
itself but is actually part of Super-Fun-Pak Comix!
Red Meat's God reveals the real
– albeit accidentaly messed up – purpose
of our existence.
The Comic Strip Curmudgeon lists
several ways in which Mary Worth – beloved advice-offering neighbor
or white-haired buttinski, take your pick – is difficult
to distinguish from Ronald Reagan.
Comic Strip of the Day covers a
story that crested and dived almost within a single day. I
confess I fear the worst for Harper Lee's literary reputation at the
hands of her new guardians, but I am intrigued by the the story that
what became To Kill A Mockingbird was originally a novel about
the adult character Scout, filled with flashbacks about her
childhood, and Lee's publishers convinced her that the story we know
as TKAM, narrated by Scout as a six-year-old, was the one to tell.
Which would make the so-called "sequel" touted this week
(for better or worse) something much different than a "sequel"
or "prequel."
Weekly animation: "SH-H-H-H-H-H"
was written and directed in 1955 by another member of the p3
pantheon, Tex Avery, for Walter Lantz's shop at Universal after he'd
worn out his welcome at Warner Bros and MGM. By the mid-1950s the
realities of "limited animation" (watch how little of the
face moves when the characters talk – the slide to Fred Flintstone
and Barney Rubble-style animation of the Hanna-Barbera era was
already well-greased) were working against the extremes-driven
animation style Avery had become known for. So the interesting thing
about this is that the gags are driven not by pop-eyed,
tongue-spinning, jaw-dropping, ah-oogah! horn gags, but rather by . .
. silence. Sight-gags abound, as you might expect. What voice-work there is comes
(uncredited) from the legendary Dawes Butler. Shhh!
The p3 Sunday Comics Read-Along:
Pearls
Before Swine, Doonesbury,
Rhymes with Orange, Zits,
Adam @ Home, Mutts,
Over the
Hedge, Get
Fuzzy, Prince
Valiant, Blondie,
Bizarro, Mother
Goose & Grimm, Rose
is Rose, Luann,
Hagar
the Horrible, Pickles,
Rubes, Grand
Avenue, Freshly
Squeezed, The Brilliant Mind
of Edison Lee, and Jumble.
The Big, And Getting Bigger Since We
Welcomed Back The Departed, Oregon Toon Block:
Ex-Oregonian Jack Ohman imagines
a perfect
world.
Very Possibly Ex-Oregonian Jen
Sorensen finds
herself having to discredit something that's obviously not true
about something most people didn't know it existed anyway. Jeez.
Matt Bors considers
the
complicated relationship we have with our partners in peace.
What's the connection between a classic
song by the Police and the current problems of Governor Kitzhaber? Perhaps it's a mistake he might not have chosen to make. Jesse Springer could have
the answer.
Test your toon captioning powers at The
New Yorker's weekly caption-the-cartoon
contest. (Rules here.)
And you can browse The New Yorker's cartoon gallery here.
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