Tuesday, June 28, 2011

Galtians to the core -- until it comes to intellectual property rights

I've been tracking for years the Republicans' love of theme songs they don't understand and don't intend to pay for the right to use.

Michelle Bachmann now joins the pack:
Tom Petty may be taking legal action to make sure Republican presidential candidate Michele Bachmann stops using his songs at her campaign events.

"NBC News: @TomPetty unhappy with Michele Bachmann's use of 'American Girl' and in process of issuing [a cease and desist] letter," Matt Ortega reported on Twitter only hours after hours after Bachmann used the popular song to kick off her campaign.

NBC's Kelly O'Donnell confirmed that report Monday night.

"And details matter, and when Bachmann left the stage here, her campaign played the Tom Petty hit song, 'American Girl,'" O'Donnell said. "Turns out Petty isn't pleased. His manager says they will ask the Bachmann campaign not to use that song."

Petty also issued a cease and desist letter to then-Governor George W. Bush for illegally using "I won't back down" at his rallies.

"The impression that you and your campaign have been endorsed by Tom Petty, which is not true," music publisher Wixen Music Publishing Inc. told the Bush campaign.

To make matters worse for Bachmann, former RNC Online Communications Director Liz Mair made this observation about the use of Petty's tune: "Isn't that what the kidnapped politician's daughter was singing in 'Silence of the Lambs?'

Mair appears to have since deleted that tweet.

Sunday, June 26, 2011

Sunday morning toons: Four things that must have happened while I was asleep

I mean, seriously -- how did I miss these?
1. When did the GOP become the party of hippie peaceniks?

2. When did walking out of budget talks become "negotiations?"

3. When did Greece get a new set of ruins?

4. When did we forget about what happens when we elect evangelical blowhard Texas governors to the presidency?

Anyway, our wide-awake and alert p3 team carefully picked today's selections from the week's political cartoon pages at Slate, Time, Mario Piperni, About.com, and Daryl Cagle:

p3 Picks of the Week: Mike Luckovich, Mike Lester, Pat Bagley, Steve Sack, Walt Handlesman, Jeff Danziger, Tom Toles, John Darkow, and Monte Wolverton.

p3 Best of Show: R. J. Matson.

p3 Certificate of Harmonic Toon Convergence: Darryl Cagle and Stuart Carlson.

p3 Legion of Merit: Steve Breen.

Mario Piperni rounds up the toons responding to last week's Wal-Mart decision by the Supreme Court.

p3 World Toon Review: Martyn Turner (Ireland), Michael Kountouris (Greece), Cam Cardow (Canada), Paresh Nath (India), and Ingrid Rice (Canada).


Ann Telnaes knows what Uncle Sam wants.


Mark Fiore explains the Constitutional principle of whatever it is we're doing in Afghanistan.


Taiwan's Next Media Animation covers the introduction of the marijuana bill by Ron Paul and Barney Frank.


Thufferin' thuccotash! Reminder: Tuesday, June 29th is Mel Blanc Day in Portland!


It's like he's trying to be repulsive: First "Dilbert" artist Scott Adams started sharing his bigoted opinions, then he shared some more. Apparently learning nothing useful from the experience, now he's at it again.


Tom Tomorrow welcomes you to the Conservative Carnival of Crazy. (Watch your wallet!)


Keith Knight pays tribute to the Big Man.


Tom the Dancing Bug celebrates traditional marriage: the exchange of property by the parents of strangers.


A funeral for Spider-Man? Well, yes, and then again no. Comic Riffs has the story.


At Red Meat, Milkman Dan relieves a child's worry.


The Comic Curmudgeon shares his thoughts on bear wear.


Portland homeboy Jack Ohman is getting impatient.


If dey don't like me, dey just don't like dogs! Here's another Charlie Dog story, "A Hound for Trouble," directed in 1951 by Chuck Jones, story by Michael Maltese, voice by Mel Blanc, and music by Carl Stalling. Speaking of Stalling, the "Atsa Matta For You!" number is great. (No one will be seated during the terrifying grape-stomping scene!)


(Note to Facebook friends: If you're reading this in FB Notes, you'll need to click View Original Post, below, to see the video.)

p3 Bonus Toon: Unless you happen to draw a paycheck for a charter-school corporation, it's tough to see much good news for Oregon education in the education reform package that was passed this month. Jesse Springer sums it up.




Test your toon-captioning skills at The New Yorker's weekly caption-the-cartoon contest. (Rules here.)

Saturday, June 25, 2011

Saturday morning tunes two-fer: A New York state of mind

If you're reading this in FB Notes, you'll need to click View Original Post to see the video.

Saturday morning tunes: Powerhouse

These six lads are the virtuoso harmonica novelty act known as The Philharmonicas.

This piece, "Powerhouse" by Raymond Scott, was a favorite of Warner Bros golden-age musical director Carl Stalling, who reached for it every time he needed music to go with images of rushing, whirling machinery in a Looney Tunes or Merrie Melodies cartoon.

If you're reading this in FB Notes, you'll need to click View Original Post to see the video.

(Hat-tip to Ron Morgan.)

Friday, June 24, 2011

"Oh, just one other thing . . . "

Nope -- no more "other things" anymore. Peter Falk died yesterday at 83.

Mr. Falk had a wide-ranging career in comedy and drama, in the movies and onstage, before and during the three and a half decades in which he portrayed the slovenly but canny lead on “Columbo.” He was nominated for two Oscars; appeared in original stage productions of works by Paddy Chayefsky, Neil Simon and Arthur Miller; worked with the directors Frank Capra, John Cassavetes, Blake Edwards and Mike Nichols; and co-starred with the likes of Frank Sinatra, Bette Davis and Jason Robards.

But like that of his contemporary Telly Savalas, of “Kojak” fame, Mr. Falk’s prime-time popularity was founded on a single role.

If you're reading this in FB Notes, you'll need to click View Original Post to see the video.

Rest in peace, Lieutenant. And we're all deeply, deeply sorry about that whole "Mrs. Columbo" thing.


Okay, okay, we can't end this tribute without at least a quick taste from "The In-Laws:"

Separated at Birth? Or something more sinister?

On one hand, a past-it guy who's been delivering the same predictable material to a steadily aging audience since the early 1990s. You think his pasty face is finally going away but it just never seems to.

And on the other hand . . . wait a minute. Which one's which again?




Come to think about it, this may be more than Separated at Birth: Has anyone ever seen Gingrich and Leno together at the same time and place?

Thursday, June 23, 2011

Five years ago in p3: What's good for GM?

It starts out with one of the great half-understood quotes of the last century:

Not many people today could identify Charles E. Wilson, former CEO of General Motors and later Secretary of Defense under Eisenhower, but many would have no trouble recognizing the famous thing he didn't say:
What's good for General Motors is good for America.
What Wilson actually said, and the context in which he said it, is much more telling about the differences between Then and Now.

And it winds up with a note on the irony of "accelerated attrition." Go ahead: Take a stroll down memory lane.

Wednesday, June 22, 2011

Quote of the Day: Passport photo

Matt Taibbi's excellent RS article about the danger of underestimating Michelle Bachmann, includes this burned-on-your-retina image:

Michele Bachmann, when she turns her head toward the cameras and brandishes her pearls and her ageless, unblemished neckline and her perfect suburban orthodontics in an attempt to reassure the unbeliever of her non-threateningness, is one of the scariest sights in the entire American cultural tableau. She's trying to look like June Cleaver, but she actually looks like the T2 skeleton posing for a passport photo.

Monday, June 20, 2011

Fashion and private investigation: A brief historical overview

In 1929, Dashiell Hammett introduced the popular character Sam Spade in The Maltese Falcon.

A new client, Miss Wonderly:
She was tall and pliantly slender, without angularity anywhere. Her body was erect and high-breasted, her legs long, her hands and feet narrow. She wore two shades of blue that had been selected because of her eyes. The hair curling from under her blue had was darkly red, her full lips more brightly red. White teeth glistened in the crescent her timid smile made.
The same client, the next day:
Miss Wonderly, in a belted green crêpe silk dress, opened the door of apartment 1001 at the Coronet. Her face was flushed. Her dark red hair, parted on the left side, swept back in loose waves over her right temple, was somewhat tousled.
The same client (now calling herself Brigid O'Shaunessy), shortly thereafter:
She had put on a satin gown of the blue shade called Artoise that season, with chalcedony shoulder-straps, and her stockings and slippers were Artoise.


In 1973, Robert B. Parker introduced the character Spenser in The Godwulf Manuscript.

An unnamed administrative assistant for the campus security office at a Boston university:
[A] post-co-ed blonde in high white boots came in. She was wearing something in purple suede that was too short for a skirt and too long or a belt. Above that was a scarlet satin long-collared shirt with puffed sleeves and a deep neck. Her thighs were a little heavy, but maybe she thought the same of me.
An unnamed professor of psychology (same university) conducting class:
She wore a dark maroon silk granny dress with a low scooped neckline. The dress was covered with an of-white floral design that looked like hydrangea. Her long black hair was caught back with a gold barrette. She wore large round horn-rimmed glasses, and was smoking a corncob pipe with a curved amber stem.
Terry Orchard, a robbery suspect found next to a dead body:
Her hair was loose and falling forward as though she were trying to dry it in the sun. She wore only a pajama top with designs of Snoopy and the Red Baron on it, and it was from her that the faint kitten sounds were coming.

With the first three instances (to appropriate a Douglas Adams line), you can imagine the smoky tenor saxophone music building on the soundtrack. With the second three, all you can hear is the kazoo.

Sunday, June 19, 2011

Sunday morning toons: June 29th is Mel Blanc Day in Portland!

Congratulations to The Mel Blanc Project:

[…] Whereas on June 29, in Lincoln Hall, where Mel Blanc himself sat as a high school student, Craig Adams, early Portland radio historian, and Robyn Tenenbaum, current Live Wire radio producer, will induct Mel Blanc into Oregon Cartoon Institute’s Hall Of Fame; and

Whereas the City of Portland recognizes the significance and importance of Blanc’s creative genius, which he cultivated and expanded here,

Now, therefore, I, Sam Adams, the Mayor of the City of Portland, Oregon, the “City of Roses,” do hereby proclaim June 29, 2011 to be Mel Blanc Day in Portland, and encourage all residents to celebrate this day.

And in other news: Obama, Lybia, debt ceiling, Weiner, debates, jobs, recovery, yada, yada, yada. And my favorite: Did you know that what, last year, was called the Republican Southern Leadership Conference is now called simply the Republican Leadership Conference? They no longer even pretend they're anything much more than a noun, a verb, and tax cuts plus the Southern Strategy.

Today's selections have been lovingly hand-selected from the week's political cartoon pages at Slate, Time, Mario Piperni, About.com, and Daryl Cagle:

p3 Picks of the Week: Mike Luckovich, Nate Beeler, Bob Englehart, John Darkow, Jimmy Margulies, Gary Varvel, Nate Beeler, Matt Davies, Gambel, Chan Lowe, Signe Wilkinson, and Monte Wolverton.

p3 Best of Show: Pat Bagley.

p3 Legion of Honor: David Fitzsimmons.

p3 Award for Best Adaptation from Another Medium: Jerry Holbert.

p3 Best of the Wurst: Steve Sack.

p3 World Toon Review: Cam Cardow (Canada), Pedro Molina (Nicaragua), Victor Ndula (Kenya), and Ingrid Rice (Canada).


Ann Telnaes gives us Obama and the War Powers Act (although I'm not sure "bypass" is the word we're looking for here).


Mark Fiore how lucky we are that we didn't have to hear about sad things for a couple of weeks.


Taiwan's Next Media Animation covers the Vancouver hockey riots. (It sounds weird even saying "Vancouver hockey riots," doesn't it?)


Tom Tomorrow is all about bottom-feeders and taking ownership this week.


The K Chronicles identifies a disturbing historical parallel at the local Y.


Just in time for Fathers Day, Tom the Dancing Bug presents Hollingsworth Hound's dream.


Comic Riffs has the latest fake-out movie trailer for the upcoming Muppet movie. I think this marketing campaign is inspired.


At Red Meat, Ted Johnson explores the importance of theory.


The Comic Curmudgeon asks: Are the Spider-Man newspaper comic strip people even vaguely aware of the conventions of their own genre? (And one might also ask: Is that limo in the third panel tipped on its side?)


Portland homeboy Jack Ohman looks at one of the least attractive jobs that America's opened up lately.


Fifty percent Pointer! Dere it is! Dere it is! Celebrating the arrival of Mel Blanc Day in Portland, here's nother great B-list character from the Warner Bros stable: Charlie Dog, the mutt who only wants a master. (No idea if there's supposed to be any Nietzschean overtones to that.) Bob Clampett created the character, but (like several of Clampett's creations) it was Chuck Jones who ran with the idea. This is the first Charlie/Jones team-up, "Little Orphan Airedale," from 1947. Blanc uses his all-purpose Brooklyn/Bronx Wise Guy voice for Charlie.


(Note to Facebook friends: If you're reading this in FB Notes, you'll need to click View Original Post, below, to see the video.)

p3 Bonus Toon: Okay, so it works like this: Wind power gets federal incentives. Wind is good. The snow pack is big enough that there's surplus hydroelectric power from the spring snow melt. With me so far? So now wind generators want to keep their federal subsidies even though . . . Sigh. Here, let Jesse Springer explain it.





Test your toon-captioning skills at The New Yorker's weekly caption-the-cartoon contest. (Rules here.)

Saturday, June 18, 2011

The Big Man has left the band

Clarence Clemons, iconic saxophonist for the E Street Band, died today following a massive stroke on June 12th.
While initial signs had been hopeful after his hospitalization and two subsequent brain surgeries, he reportedly took a turn for the worse later in the week. He was 69.

Clemons – known affectionately to fan and friends as the Big Man – was the heart and soul of the E Street Band. His playing on tracks like "Born To Run," "Thunder Road," "Jungleland," "Dancing In The Dark" and countless more represent some of the most famous sax work in the history of rock & roll. "The story I have told throughout my work life I could not have told as well without Clarence," Springsteen wrote in the introduction to Clemons' 2009 memoir Big Man: Real Life and Tall Tales.

So much has been said and written about the stormy night in Asbury Park in 1971 when Clemons met Springsteen that it's hard to separate fact from myth. At the time, Springsteen was a struggling musician playing the New Jersey bar circuit and Clemons was a former college football player who spent his nights playing sax in clubs along the shore. "It was raining and thundering like a motherfucker," Clemons wrote in his memoir. "When I opened the door it blew off the hinges and flew down the street . . . Somebody introduced me to Bruce, everybody knew everybody, and he asked me if I wanted to sit in."

If you're reading this in FB Notes, you'll need to click View Original Post to see the video.

My guess is, he's sittin' back right easy and laughin'.

Saturday afternoon tunes: RIP Carl Gardner

This week Carl Gardner, the last surviving founding member of The Coasters, the 50's group whose trademark sound gleefully blurred the line between R&B and novelty record, died at 83.
Many African-American close harmony groups flourished in the US in the 1950s, but few appealed to both black and white audiences as much as the Coasters. Their success owed a lot to the witty lyrics of Jerry Leiber and Mike Stoller on such songs as Charlie Brown and Yakety Yak, but it was also founded on the characterful vocals of Carl Gardner
Is "characterful" a real word? (Don't talk back!)

If you're reading this in FB Notes, you'll need to click View Original Post to see the video.

Oh, what the hell. Bandwidth be damned. Here's another Coasters classic:


(Hat-tip to Keith at Strictly the Sixties.)

Thursday, June 16, 2011

The unforgiving minute: On not throwing the GOP into the briar patch

I normally consider Robert Kuttner to be a pretty smart guy, but this comment on Weiner's resignation is breathtakingly clueless:

Those who pointed out that a long list of Republican hypocrites like Sen. David Vitter have committed more explicit sexual acts (Vitter visited whores), but managed to hang on to their seats missed the point, too. If Republicans have a higher tolerance for sleaze, let them be the party of double standards.

(Emphasis added.)

Earth to Kuttner: The Republicans already are the party of double standards, and no one cares. (Kuttner's remark is itself glaring evidence of this.) Does Kuttner believe the Republicans would consider being treated as the party of double standards a punishment? That it would teach them a lesson of some kind? Make them mend their ways? Put them at some kind of political disadvantage?

Ridiculous. It's what they've been positioning themselves to be for a generation.

Minute's up.

Tuesday, June 14, 2011

Genius: Not all it's cracked up to be

Long-time p3 correspondent Doctor Beyond recently shared his puzzlement about Newt Gingrich, whose presidential candidacy streaked oh-so-brightly across the sky for three weeks -- before hitting the ground with a moist thud this week.

Since Gingrich lost his position as Speaker and left his seat in the House (in what would be, for anyone not a Republican, disgrace) over a decade ago, he's served as something between the party's Professor Farnsworth and its Ozzie Nelson -- combining bizarre, futuristic schemes with a mysterious ability to hang out and live comfortably without having any obvious means of support.

But he's always been able to find someone to pick up the lunch check (and book him for the Sunday chat shows), largely because of his reputation as the GOP's "idea man."

This is what puzzles Doctor Beyond.

And, as a matter of fact, it puzzles me, too. His signature campaign strategy in 1994, the ten-point "Contract With America" was a dud. Only one of the ten measures was actually passed (no one remembers which one), leading Speaker Gingrich to explain he'd never promised they'd all be enacted, only that they'd all get a vote (no matter how soundly they would then be defeated).

Seriously? Is that all you have to do to be an "idea man?"

It's good that Gingrich got his walking-it-back chops early. He's needed them.

Just in the last several weeks, as the TPM article notes, he's had to backtrack on calling the GOP budget proposal "right-wing social engineering." He's flip-flopped almost within a single news cycle on the question of intervening in Libya. The Tiffany touches to his lifestyle have attracted unwanted attention. And now, of course, most of his campaign team has deserted him en masse after the final straw: Newt wanted to take a two-week European vacation less than a month into his already-shaky presidential campaign.

But what really got Doctor B were these snatches from that TPM article (emphasis added):
"Newt has a lot of strengths--discipline is not one of them," [GOP strategist John] Feehery said. "He obviously was extraordinarily bright, but I just think he wasn't disciplined enough to lead, disciplined enough to run the House in a way that can be sustained. He lacked message control and the ability to keep his story straight...he made all kinds of promises to people...he was more of a revolutionary but wasn't going to survive over the long haul."

And:
"We need to be in Libya -- we don't need to be in Libya," the former GOP aide complained. "He just seems to live in a world that because he's smarter than everybody else, that normal political rules shouldn't apply to him, but they do."

"Now it seems to me," wrote Doctor Beyond, "that a person smarter than everyone else doesn’t act this way."
A smart person has reasoned out her/his position and stays with it. Changing position usually takes more than a couple of weeks. I’d like to know who first said Newt was smart, and when. Where did this myth come from?
After giving the matter some thought, I wrote back, suggesting that the whole "idea man" mythology came from three factors:

(1) His GOPac rhetoric primer "Language: A Key Mechanism of Control," distributed to the campaigns of Republicans who would eventually form the Class of 1994. Gingrich says it was designed for people who said, "I wish I could speak like Newt!" The Hedley LeMarrs of this world, who can use their tongues purtier than a two-dollar whore, always get the respect of the Taggarts.

(2) Following the 1994 takeover of the House by Gingrich-led GOP insurgents, neither the mainstream media nor the congressional Democrats had any idea what to make of his initial successes or his rise from back-bencher to star. Both groups were buffaloed by him (which only increased his rep), and soon found it was easier to defer to him as a genius than to admit that they were too spooked to call him on his flim-flammery.

(3) The GOP, who haven't had an idea since 1980 and don't like intellectuals but hate to be thought stupid, desperately needed somebody to parade around as a "thinker." Newt didn't show that much promise, but he showed more promise than the rest, basking on his credentials as a professor history somewhere.

I figured that, when Sarah Palin can get Paul Revere and Longfellow completely wrong, and pay no price for it in her own party, surely it's not that hard to set yourself up as a GOP "idea man."

Of course, I was overthinking the whole thing (not the mark of an "idea man," apparently). I left out the most important and obvious factor of all: Everyone thinks Newt is a genius because, like Wile E. Coyote, he tells people, over and over, that he is:
Shortly after disgraced former House Speaker Newt Gingrich (R) launched his farcical presidential campaign, the candidate said reporters just didn’t understand his genius. Gingrich boasted that presidential campaigns as extraordinary as his are only seen “once or twice in a century,” and the brilliance of his campaign strategy would only be apparent in time.
And, while Bugs Bunny didn't believe Wile E. Coyote, no one ever seems to doubt Newt. The dumber he gets, the more it's pointed to as proof that he's just too smart for the rest of us to relate to.

Postscript: Doctor Beyond likens Newt's self-promotion strategy to that of fellow futurologist Marshall McLuhan: "Just keep throwing stuff against the wall, take credit for the few things that resonate, and count on the other 95% to be forgotten." Perhaps the analogy is not completely unfair; it only took McLuhan 35 years to be the punchline of a joke now retold by countless people who no longer remember exactly who he was; I bet Gingrich can get there in less time.

Sunday, June 12, 2011

Sunday morning toons: Finding elbow room in the Big Arena of Political Self-Mutilation

Have to hand it to Newt Gingrich: In a week when Sarah Palin rewrote both American History and a classic Henry Wadsworth Longfellow poem, and Anthony Weiner had to enter rehab to save his political career after using Twitter to send pictures of his junk (makes you wonder what kind of rehab that's going to be, doesn't it?), it's hard to imagine how anybody else could elbow their way out into the Big Arena of Political Self-Mutilation.

But Newt managed. Of course, he had help from his staff.

Today's selections were retrieved from the dumpster behind the Gingrich 2012 headquarters (currently for rent), and come from the cartoon pages at Slate, Time, Mario Piperni, About.com, and Daryl Cagle:

p3 Picks of the Week: Mike Luckovich, Pat Bagley, Mike Keefe, John Darkow, Michael Ramirez, Steve Sack, Rob Rogers, Nick Anderson, Tom Toles, Steve Breen, and Monte Wolverton.


p3 Best in Show: Chad Lowe.

p3 Award for Most Peculiar Father's Day Message: David Fitzsimmons.

p3 Award for Articulating the Popular Rage: Joel Pett.

p3 Commendation for Being Nicer to Them Than They Deserved: Michael Ramirez.

p3 World Toon Review: Patrick Chappatte (Switzerland), Cam Cardow (Canada), Evans (New Zealand), and Petar Pismestrovic (Austria).


Ann Telnaes commemorates Sarah Palin's ride.


Mark Fiore presents Dogboy and Mr. Dan, as they explain the importance of not raising the federal debt ceiling -- or something like that.


Taiwan's Next Media Animation examines the all-important question: What does Weinergate mean for "30 Rock?"


Not just in Mad Magazine! Iconic artist Jack Davis was also all over a couple of generations of TV Guide covers.


Mixed feelings about this: Mel Blanc, the legendary talent known as "The Man of a Thousand Voices," will be returning -- sort of -- to the big screen in two new animated shorts from Warner Bros. The shorts, "Daffy's Rhapsody" and "I Tawt I Taw a Putty Tat," will use material that Blanc recorded half a century ago. No detailed word on what Blanc materials will be used, or how. I worry that it may end up being a triumph of gimmickery (recycling Blanc and 3D animation) over good story and art. Croth your fingerth.


Tom Tomorrow celebrates those staunch defenders of our most fundamental constitutional liberties and protections, the Democrats. Actually, for me, this one is too near the truth to be very funny.


The K Chronicles notes another nail in the coffin of irony.


Tom the Dancing Bug thinks somebody owes Longfellow an apology.


Comic Riffs reviews three of the biggest Weinergate toons from the week.


Red Meat marks Father's Day with a touching moment of bonding between Ted Johnson and son.


The Comic Curmudgeon may have spotted a "Hagar the Horrible" first!


Portland homeboy Jack Ohman brings you the compressed history of the United States.


Guest animation Claude Cat was one of Warner Bros' B-list stars. First appearing in 1943, he was paired with other B-listers, though never with one of the big guns like Daffy or Porky. Several of his stories are good, but this is my favorite: "Two's a Crowd," directed by Chuck Jones in 1950, story by Michael Maltese, voices by Mel Blanc (not sure who does the wife's voice), and music by pun-loving Carl Stalling. (When the puppy bites Claude on the nose the first time, the music is "Laugh, Clown, Laugh;" when Claude wafts out of the washing machine, it's "I'm Forever Blowing Bubbles;" when the puppy's eating out of Claude's bowl, it's "Mama's Little Baby Loves Short'nin' Bread.") Although this is still early enough that the animation quality would support broad physical gags, Jones was already perfecting the twanging-whisker/dilated-pupil reaction that would work so well with Wile E. Coyote (and later, The Grinch and Max). The ceiling gag never gets old for me. Ever.



(Note to Facebook friends: If you're reading this in FB Notes, you'll need to click View Original Post, below, to see the video.)


p3 Bonus Toon: Jesse Springer looks behind the scenes at Oregon graduation ceremonies.




Test your toon-captioning skills at The New Yorker's weekly caption-the-cartoon contest. (Rules here.)

Saturday, June 11, 2011

Saturday morning tunes: Sittin' here resting my bones

From the Playing for Change: Peace Through Music project (here's another great piece), comes this multi-continent cover of "Sitting on the Dock of the Bay."

If you're reading this in FB Notes, you'll need to click View Original Post to see the video.

Wednesday, June 8, 2011

Sic Transit Spirit

On May 25th 2011, NASA declared Mars Exploration Rover A (MER-A), aka Spirit, deceased after its three-month mission -- which lasted almost six years.

Jet Propulsion Laboratory scientists kept up hope for almost a year that Spirit would somehow manage to reboot after the long Martian winter, like a hummingbird jump-starting itself after a cold autumn night, but those hopes were finally abandoned late last month when final attempts to contact the rover got no response.

Spirit is survived by its twin, Mars Exploration Rover B (MER-B), aka Opportunity.

Hat tip to Doctor Beyond.

Sunday, June 5, 2011

Sunday morning toons: Some things I don't believe

(Updated below.)

Here are four things I don't believe:
1. Rep. Weiner tweeted that photo.*
2. The Republicans oppose Ryan's Medicare-ending budget proposal.
3. Sarah Palin is on vacation.
4. Rand Paul's career would last more than 5 minutes if people who attend speeches by "radicals" could be jailed for that.

*Update (6/6/11): Well, three out of four isn't bad, I suppose.

Today's selections have been hand-selected -- with appropriate skepticism -- from the week's political cartoon pages via Slate, Time, Mario Piperni, About.com, and Daryl Cagle:

p3 Picks of the Week: Mike Luckovich, David Fitzsimmons, Steve Sack, Adam Zyglis, Adam ZyglisDrew Sheneman, Steve Breen, David Horsey, John Darkow, Chip Bok, and Monte Wolverton.

p3 Best of Show: Walt Handlesman.

p3 Legion of Merit: Tom Toles.

p3 Award for Best Adaptation from Another Medium (tie): Pat Bagley and Glen McCoy.

p3 World Toon Review: Frederick Deligne (France), Ingrid Rice (Canada), Christo Komarnitski (Bulgaria), Cam Cardow (Canada), and Dario Castillejos (Mexico).


Ann Telnaes celebrates the Rand Paul amendment.


Mark Fiore introduces Snuggly the Security Bear and his new pal -- keeping America safe, whether we need it or not.


Forget Weiner-tweeting; Taiwan's Next Media Animation has the really big smart phone-related scandal.


But when she runs, she looks way too much like Robin: The story goes approximately like this:
As told by Bob Kane, he first met Norma Jean in 1943 at a cast party held after shooting had ended on the serial The Batman (1943). Later when Bob Kane was serving as a consultant on the serial Batman and Robin in 1948, he met Norma Jean, now Marilyn Monroe, on a Hollywood backlot. The two went to the beach where Mr. Kane drew some sketches of her. When he returned to New York City he showed the sketches to his editor and told him his idea for the character of Vicki Vale. The editor approved the idea. When Batman #48 was being prepared, however, the colourist made her hair red instead of blonde.
Here are some of the results.


Tom Tomorrow warns us about the dangers of drawing long-term conclusions from a handful of isolated events.


Keith Knight pays tribute to a foundational artist we lost last week.


Tom the Dancing Bug presents a massive spoiler from American Lit.


At Red Meat, Stubbo has his "Mirror, Mirror" moment.


Portland homeboy Jack Ohman celebrates optimism in the housing market.


Gruesome, isn't it folks? Droopy is only one of several classic animation characters who gets a cameo in the 1988 "Tummy Trouble," the first of three Roger Rabbit/Baby Herman theatrical-release cartoons created by Amblin/Disney to pump up the Roger Rabbit brand. Kathleen Turner kills as the voice of Jessica Rabbit.



(Note to Facebook friends: If you're reading this in FB Notes, you'll need to click View Original Post, below, to see the video.)

p3 Bonus Toon: Jesse Springer wonders what can prevent another budget disaster like the one Oregon just experienced.





Match toon-captioning wits at at The New Yorker's weekly caption-the-cartoon contest. (Rules here.)

Saturday, June 4, 2011

Saturday morning tunes: Wish I didn't know now what I didn't know then

Speaking of the late 1970s road anthem/aging rocker lament (and we were, last week), here's another classic example of the genre (1980 was, technically, the last year of the 70s):


If you're reading this in FB Notes, you'll need to click View Original Post to see the video.

By the way: Turns out YouTube has a surprising number of badly recorded bootlegs of live performances of this song by Seger and the Silver Bullet Band. Not sure what conclusion to draw about that.

Friday, June 3, 2011

"An intellectual carrot. The mind boggles." R.I.P James Arness

[Updated below.]

James Arness, who died this week at 88 (like his brother Peter, his real surname was Graves, but his agent convinced him it would be a downer), might have been well down the road to being locked in as an actor who only did sci-fi.

In 1951 he played "an intelligent carrot" "some form of super carrot," who didn't get a lot of time in the movie trailer:


Close-up shots of The Thing were filmed, but because the makeup looked a little cheesy in close-up only long shots were used in the final release. But the result (as in "Alien" three decades later) was that the creature was creepier exactly because you couldn’t get a good look at it.

By 1954 Arness had worked his way up to fourth in the credits, as a dapper FBI agent . . . who didn't get a lot of time in the movie trailer:


Luckily, he escaped the Hollywood trap of having to play the same thing for 20 years:*

If you're reading this in FB Notes, you'll need to click View Original Post to see the videos.

Gunsmoke ran for 20 years. Later, Kelsey Grammer would tie the Arness streak for playing the same TV character continuously. There's a widely-circulated story -- maybe apocryphal; at least I haven't been able to confirm it -- that Arness was somewhat less than gracious about Matt Dillon having to share that space in the record-books with Frasier Crane.

*Update: Hm. Come to think of it, he didn't even get that much screen time in the opening credits to his own TV show.