Saturday, December 31, 2011

Saturday morning tunes: Well? What are you doing New Year's Eve?

It's been recorded by everyone from Ella Fitzgerald to Lena Horne to Harry Connick, Jr., to Diana Krall to Joseph Gordon-Levitt and Zooey Deschanel. This version, by the Orioles, is one of the earliest (the song was written in 1947).

With a little over twelve hours to go, I hope it's not too early in the game:

If your browser won't display the embedded version, click here.

(Update: No idea why the title originally said this was Sunday. Hope the error didn't cause any confusion.)

Friday, December 30, 2011

Quote of the day: Will to live

Roy Edroso's benediction on the the Jon Swift Memorial Blog Roundup (in which p3 played a modest part):
It's a good way to remind oneself that not everything written for the internet is purposefully designed to sap your will to live.
“He didn't purposefully try to sap your will to live” -- it's a fitting epitaph for any blogger.

Wednesday, December 28, 2011

Happy to be judged by the company I keep


I launched p3 seven years ago this month with a simple mission: In those pre-WikiLeaks days, where could someone post important information, like the formula to Coca-Cola or the DOD's nuclear launch codes, while remaining secure in the knowledge that no one was ever likely to stumble upon it?

Where, indeed.

Since December 2004, p3 has let me indulge my passions for free speech, civil liberties, and the workings of persuasion and the media, largely uninterrupted by comments or web traffic. It's also let me extend myself in such areas as limericks, celebrity separated-at-birth images, plus classic animation and political cartooning. It has covered a wide base of topics while doggedly retaining what one friend of the site called “an almost Rain Man-like inability to connect with a steady audience.” (Yes, it was a friend.)

Which is why I'm delighted to see p3 among the Best Posts of the Year, Chosen by the Bloggers Themselves, a celebration of the “small blogs” we all probably would be reading if we actually knew they were out there. The p3 post in question is this meditation on the difference between the smallpox virus and the (dis)appearance of the word “nigger” in “Huckleberry Finn.” The full list of nominees, as well as the tradition behind the event, are described here by Batocchio, who did the heavy lifting this year in the lamented absence of tradition founder Jon Swift.

Even though it was a self-nomination (what? Markos Moulitsas never promotes his own site?), as I cast my eye down the list of the singled-out, I'm delighted to see such p3 friends as Mad Kane, Lance Mannion, Melissa McEwan, and Batocchio -- none of whom, come to think about it, do I really think of as running a “small blog.”

Reading the list, I also realized there are a lot of other blogs I regularly read when recommended (often by someone else on the list) but should be reading regularly anyway. The annual end-of-year site design overhaul will be a good time to bring more of those onto the p3 blogroll.

Meanwhile, what better occasion to look back at some of the p3 big hits and near misses of years gone by?

Over the years, some of my most-visited posts, not counting five years of railing against All Things Bush (which, statistically speaking, is a little like saying “some of of the top sites on the Internet, not counting porn”) have been predictable, but more often not:

One of the all-time crowd favorites remains this 2009 piece on the Supreme Court's “Mad Magazine exception” for parody as protected speech. I cranked it out in an hour following an appearance by Mad writer and p3 god Frank Jacobs on a PBS special, and it's been drawing hits ever since.

(A thematically-related piece two years earlier was one of my own favorites, but probably got lost in the swell of news that week.)

Another heavily-visited post earned its traffic much less on the merits than on the shameless concatenation of three can't-miss keywords in the title. I saw the lesson there but only partly learned it.

The popularity of one particular heavily-visited post from years gone by was an unfortunate side-effect of my love of Latinisms. The point of the article, a theme I kept to fairly often in the Bush years, was my suspicion that a lot of the current crop of conservative commentators had not merely been recruited and subsidized by the GOP and its funding auxiliaries, but were actually grown from pods in secret farms somewhere in the Plains States specifically to perform their function. Alas, the title contained two unpaired words that, while they seemed innocent enough to me, apparently tripped the search-engine triggers of a narrow but highly dedicated sexual fetishist demographic of whose existence I had been happily unaware. (For obvious reasons, no link on this one.)

One of my all-time favorite posts came in the second month of p3's existence, and combined my interest in free speech with Oregon news and my thing for open letters. It was inspired by this unlikely problem: What happens when the American Nazi Party adopts a highway roadside to clean up?

By tradition, every December I consider whether I'm going to continue p3 in the coming year. See you in 2012.

Saturday, December 24, 2011

Saturday morning tunes: Muddling


Seriously. Judy Garland could sell a gum jingle. So it's no surprise she could stop your pulse with this:



If your browser won't display the embedded version, click here.

But Charles Pierce tells the story of how Frank Sinatra did his best to kill one of the most touching moments of this song.


Wednesday, December 21, 2011

The equinox hits in a few moments

The winter solstice occurs tonight at 9.30pm Pacific time.

That means that, by Friday, there will be about 5 extra seconds of daylight every day -- and a little more each day after that.

And I'm going to know every one of those extra seconds. I don't mind the rain. I just hate the dark.

Sunday, December 18, 2011

Sunday morning toons: 4500 American military deaths and $800 billion later

America has finally withdrawn from our pointless and illegal invasion and occupation of Iraq (for which no one has been or ever will be forced to take responsibility).

Of course, that doesn't count the part about leaving thousands upon thousands of troops there, in a country far less stable than when we first rolled in to teach them a lesson about trying to kill Junior's old man.

Peace on Earth (void where prohibited).

Today's selections have been carefully wrapped and hung by the fire, chosen from the week's political cartoon pages at Slate, Time, Mario Piperni, About.com, and Daryl Cagle:

p3 Picks of the Week:   Mike Luckovich, Nick Anderson, Randy Bish, Mike Thompson, Tom Toles, Matt Davies, Jeff Danziger, Lisa Benson, Clay Bennett, R. J. Matson, Joe Heller, John Cole, Matthew Bors, and Monte Wolverton.

p3 Legion of Honor (not acceptable as a government-issued ID): Ed Stein.

p3 Best in Show: Bill Day.

p3 Award for Best Adaptation from Another Medium (tie): Dick Locher and Scott Stantis

p3 Certificate of Harmonic Toon Convergence: John Darkow, Gary Markstein, and Mike Keefe

p3 World Toon Review: Dario Castillejos (Mexico), Luo Jie (China), Cam Cardow (Canada), and Shlomo Cohen (Israel).


Ann Telnaes notes the reason for the season -- if you grew up reading Ayn Rand.


History buffs may recall that the Vietnam War ended twice: Once when Nixon declared victory, and again a couple of years later, when we finally left. Mark Fiore detects detects a similar pattern in the Middle East.


And speaking of the Iraq pullout: Taiwan's Next Media Animation spells out what it really means.


Oh, my. Isn't that lovely? Mmm. Yes. I don't spend a lot of time at p3 giving notice to The National Review, but when they bash Gingrich and use a wonderful Warner Bros mash-up cover image to do it, well, it's at least worth linking to someone who links to them.


Tom Tomorrow presents fun facts about Newt. (I'm not sure if that Bonus Fact is true or not; easy enough to believe, though.)


Keith Knight offers the most disturbing holiday wish I've seen so far.


Tom the Dancing Bug offers a special version of a beloved holiday story -- featuring an oddly familiar-looking snowman.


At Red Meat, the nine-foot long gift boxes were only the beginning.


The Comic Curmudgeon exposes an epistemological crisis in “The Phantom.”


Portland homeboy Jack Ohman spots a high plains drifter.


Not even a mouse! “The Night Before Christmas” (1941), directed by Joe Hanna and William Barbera, is the third of the golden age Tom and Jerry cartoons, released the day before Pearl Harbor. Like the earliest in the series, Tom is still very much a cat -- a Russian blue, in fact -- unlike the tall guy in a cat suit he eventually became on H&B's watch.

If your browser won't display the embedded version, click here.


p3 Bonus Toon: Jesse Springer notes that Oregon's unemployment rate hits a 3-year low of 9.1%, but many economists believe it is because discouraged job-seekers have left the labor market. His solution is a tad on the dark side, although it makes mathematical sense:




Test your toon-captioning skills at The New Yorker's weekly caption-the-cartoon contest. (Rules here.)

Saturday, December 17, 2011

Saturday morning tunes: The season ended at 1:28pm PT, Thursday 12/15


Worse -- or better, depending on how you feel about it -- it ended a second time about 15 minutes later. As some p3 followers remember, I make it a personal challenge to go from Thanksgiving Day until Christmas Eve without hearing “The Little Drummer Boy.”

Call it a dream. It's true, I have some bizarre affection for some covers of the song, but the reality is that the song itself just grates on me. (Anyone who saw the spot-on parody of the song at the Broadway Rose's A Very PDX-MAS knows what I'm talking about.)

Anyway --ironies of ironies -- I had just clicked on to Part 3 of the Christmas special on Strictly The Sixties when my old (and blameless) pal Keith, who hosts StS, let go with Lou Rawls' R&B version of “The Little Drummer Boy.” I had barely picked myself up off the floor when he followed up with the ultra-rare Jimi Hendrix cover of the same song. By then, I was nailed. Wham. There was nothing more I could do.

With the benefit of hindsight, this could be the reason I dislike the song so much. Maybe not, but it's certainly possible.


If your browser won't display the embedded version, click here.

My mixed feelings of irritation and envy about Larry Matthews are spelled out here.

Friday, December 16, 2011

Sic Transit Christopher Hitchens

I characterized him six years ago as someone who, having exhausted all possible fights with the right, and then the left, was now finishing out his days beating the crap out of himself.

I now forgive much, but by no means all, simply for the sake of this heroically honest piece.
You may have read by now the official lie about this treatment, which is that it “simulates” the feeling of drowning. This is not the case. You feel that you are drowning because you are drowning—or, rather, being drowned, albeit slowly and under controlled conditions and at the mercy (or otherwise) of those who are applying the pressure. The “board” is the instrument, not the method. You are not being boarded. You are being watered. This was very rapidly brought home to me when, on top of the hood, which still admitted a few flashes of random and worrying strobe light to my vision, three layers of enveloping towel were added. In this pregnant darkness, head downward, I waited for a while until I abruptly felt a slow cascade of water going up my nose. Determined to resist if only for the honor of my navy ancestors who had so often been in peril on the sea, I held my breath for a while and then had to exhale and—as you might expect—inhale in turn. The inhalation brought the damp cloths tight against my nostrils, as if a huge, wet paw had been suddenly and annihilatingly clamped over my face. Unable to determine whether I was breathing in or out, and flooded more with sheer panic than with mere water, I triggered the pre-arranged signal and felt the unbelievable relief of being pulled upright and having the soaking and stifling layers pulled off me. I find I don’t want to tell you how little time I lasted.
Let this be your last brawl. Rest in peace, Christopher Hitchens.

Barry White returns to a frozen food aisle near you


To get where I'm going, I often have to navigate some of the busiest intersections in Washington County. It's not fun. I'm a supporter of bike lanes, and bike lanes are fairly plentiful around here, but the plain fact of the matter is that sticking a lane at the side of a busy street doesn't necessarily make it safer for anybody, least of all the cyclist. Depending on traffic patterns, time of day, weather, etc., sometimes all a bike lane does is make it easier to predict where the accident will happen.

That being said, I do have a couple of things working for me. Cyclists have the advantage of being able to hear traffic, as well as see it. (Wear your iPhone's ear buds while you ride if you want; not me. Also, as most cyclists will attest, this advantage does not extend to having hybrid cars coming up behind you; they're dangerously quiet.) A second advantage is my trusty bike mirror, which I've used regularly for years and can't imagine riding in traffic without.

(Actually, I have a third thing working for me, if you count relentless paranoia in traffic, but that one really doesn't advance the present story.)

The thing is, the mirror -- which clips onto the temple shaft of my glasses --may look sort of odd to the bystander, but for the wearer it's no different than the rear-view mirror in your car: When you're using it, you focus on it immediately and unconsciously. When you're not using it, you don't even notice it's there.

Which is why I usually forget I'm wearing it when I go into a store. It's not that uncommon for me to be walking down, say, the frozen vegetables aisle and notice people staring surreptitiously, their eyes darting at me, then darting away. For a long time, it was sort of a Barry White moment. I would stand a little straighter, toss my head back, tuck my helmet under my arm military-style, get a certain swagger in my step. You know.

If your browser won't display the embedded version, click here

Uh-huh. That's right. We got it together, didn't we?

Yes, it was a wonderful feeling, until the day the needle scratched across the record and I realized, Oh, damn -- they're just staring at the stupid mirror.

This was a serious let-down. All that time I was thinking Uh-huh, that's right, and they were thinking, Good lord, who let that cyborg geezer into the building?

All of which leads up to me stopping in at the local megafood place late yesterday afternoon and deciding, as I walked in the sliding doors, to take the damned mirror off and stuff it in my jacket pocket for once. The good news: No sidelong cyborg stares. The bad news: Somewhere in the store, filled with shoppers, I apparently dragged the mirror out of my pocket and onto the floor, where it got kicked under a display, or trampled under foot, or pocketed by some other shopper, or whatever.

I backtracked through the store but didn't find it. Lost and Found had nothing.

Faced with the prospect of making it home, in rush hour, in the dark, in a slight drizzle, without the mirror, I went straight to a bike shop a couple of blocks away and bought a new one.

And rather than risk losing this one by taking it off next time, I'm leaving it on. Stare if you want.

Uh-huh. That's right.

Sunday, December 11, 2011

Quote of the day: Moral difference

Here's an astute observation from Charles Pierce:

The only moral difference between for-profit colleges and check-cashing shops is that the former usually are located in better neighborhoods.


The good news: For-profit colleges don't have corrupt athletic programs.

The bad news: They don't need to, since the whole operation hinges on bought-and-paid-for insiders who protect their racket.

Bonus quotes:
The difference between Washington under any president and Versailles under Louis XIV?

Long pants and fewer wigs.
and:
The difference between the way the Village does business and the way things used to work in Russia under the Kremlin?

Better cars and Meet The Press.

Boy's on a roll. And it's a Saturday.

Sunday morning toons: Actions have consequences

This week:

Rod Blagojevich turns penal justice lemons into lemonade (thereby triggering a Harmonic Toon Convergence).

Russian prime minister Vladimir Putin finds it surprisingly hard to win even a fixed election (thereby giving the systematic vote suppressors of our own Republican Party some food for thought).

Newt Gingrich moves ahead in the Iowa polls (thereby offering yet another reason to scale back Iowa's disproportionate position in the primary/caucus season).

Obama seems to have no concerns on the morning after (thereby pissing off still more Democratic voters -- or, if you prefer, pissing them off still more).

Donald Trump continues to occupy a position of authority in the Republican Party (thereby making the claim of the GOP to any authority of its own just that tiny little bit less convincing).

Today's selections have been meticulously hand-selected from the week's political cartoon pages at Slate, Time, Mario Piperni, About.com, and Daryl Cagle:

p3 Picks of the Week:   Mike Luckovich, Matt Wuerker, Nate Beeler, Chad Lowe, Steve Kelly, Eric Ramirez, Matthew Bors, and Monte Wolverton.

p3 Best of Show: Jimmy Margulies.

p3 Legion of Excellence: Pat Bagley.

p3 “Thanks for an Image I Can Never Get Rid Of” Award: Pat Oliphant.

p3 Award for Best New Use of an Overworked Meme: Nate Beeler.

p3 Certificate of Harmonic Toon Convergence: John Darkow, Glenn McCoy, and Ed Hall

p3 World Toon Review: Cristo Komarnitski (Bulgaria), Cam Cardow (Canada), Patrick Chappatte (Switzerland), Ingrid Rice (Canada), and Paresh Nath (India).


Ann Telnaes take Syrian president Bashar al-Assad at his word.


Mark Fiore explores the difference between Mitter and Anti-Mitter, with a little help from Suzie Newsykins.


Taiwan's Next Media Animation has the story of Alec Baldwin's mysterious disappearance.


Tom Tomorrow presents a brief guide to class conflict in America. (Watch for a cameo by “Chuckles,” the sensible woodchuck!)


The K Chronicles examines the tricky business of language.


Tom the Dancing Bug reveals the most important rule in drawing Doug, and other treats from Super-Fun-Pak Comics.


One of the amusements that keeps us going here at p3 Sunday Toons is the discovery of instances of harmonic toon convergence (see above). Alas, Comic Riffs reports that a recent work by p3 Sunday Toons semi-regular Jeff Stahler appears to have converged perhaps a tad too much with the work of New Yorker cartoonist David Sipress.


At Red Meat, Milkman Dan wrestles with his conscience.


The Comic Curmudgeon examines the endless cycle of depression that is “The Family Circus.”


Portland homeboy Jack Ohman puts the sad decline of the Republican party in perspective.


Another world: It's amazing to be reminded what American conservatism looked like in the years after World War II: Last week, p3 presented “Make Mine Freedom” (1948), a sermonette about the dangers of “isms” in post-war America. “Going Places” (1948) has the same provenance: Sponsored by the conservative Harding University and produced by John Sutherland. This time, the topic is the value of hard work and initiative (it's noteworthy that Freddy never gets to go fishing and have fun, which was his original dream; my guess they found him at his desk one morning, of a heart attack at age 50). The Econ 101 tropes about the free enterprise system will probably sound familiar, but its view of the American business world would be almost unrecognizable today. Plowing profits back into R&D and benefits for employees (including high wages, steady employment, vacation time, and health insurance)? Learning his lesson about the evils of monopolistic practices and the wisdom of government regulation? Fair dividend prices creating more jobs? Building a strong labor-management team? Please. Taxes as a healthy system by which the government provides the infrastructure that business needs to flourish? Get real. You know what they call that kind of thinking today? Kenyan socialism. Despite Harding University's impeccable conservative credentials, American Tea Party “Starve the Beast” conservatives would chase them and John Southerland up a tree and set fire to it for advocating planned/mixed economic ideas like this and calling it free enterprise. On the other hand, the Rockefeller Center-esque “Soap City” is a pretty amusing image.

If your browser won't display the embedded version, click here.


p3 Bonus Toon: Jesse Springer offers some handy hints for making your recession dollar go a little farther this holiday shopping season.




Test your toon-captioning skills at The New Yorker's weekly caption-the-cartoon contest. (Rules here.)

Saturday, December 10, 2011

Saturday morning tunes: Snowflakes in the air

There actually were snowflakes in the air -- about five or six -- this morning here in my secure flyover-state location.

One of the greatest undocumented moments of the 1960s was on the day when Bill Melendez and Lee Mendelson, producers of “A Charlie Brown Christmas,” decided to bring in jazz composer/pianist Vince Guaraldi and his trio to create what is likely the most memorable soundtrack of the decade.


If your browser won't display the embedded version, click here.

Sunday, December 4, 2011

Sunday morning toons: Freedom is many things to many people



  Today's selections have been lovingly hand-selected from the week's political cartoon pages at Slate, Time, Mario Piperni, About.com, and Daryl Cagle:

p3 Picks of the Week:   Mike Luckovich, Clay Jones, Ben Sargent, Tom Toles, Joel Pett, J. D. Crowe, Jimmy Margulies, Steve Sack, and Monte Wolverton.

p3 Best of Show: R. J. Matson.

p3 Award for Best Variation on the “Occupy” Meme: Jerry Holbert

p3 Legion of Extreme Merit Award: Adam Zyglis

p3 Award for Best Adaptation from Another Medium: Pat Bagley

p3 World Toon Review: Patrick Chappatte (Switzerland), Cam Cardow (Canada), Frederick Deligne (France), and Luo Jie (China).


Ann Telnaes sees a little problem with the current state of the First Amendment.


Mark Fiore looks at the “hard” in the hard science of climate change.


Taiwan's Next Media Animation presents The Student Loan Rap.


Sigh. You may remember a couple of weeks ago, when the p3 Sunday Morning Toons noted that a near-pristine copy of Action Comics #1, June 1938, which had somehow appeared from out of nowhere in someone's shed in California, was predicted to fetch $1 million at auction? Well, guess again.


Tom Tomorrow explores the somewhat-nuanced position of the anti-Occupy crowd.


The K Chronicles gives some thought to how to leave one's mark (even if it's a soot smudge).


Tom the Dancing Bug celebrates the American Dream.


In a touching edition of Red Meat, Bug-eyed Earl tells what he's thankful for.


Portland homeboy Jack Ohman looks at Mitt Romney's holding pattern.


"Freedom is many things to many people:" Several weeks ago, the p3 Sunday Mornign Toons featured three odd little toons from the 1950s on the fundamentals of traditional economics, produced by Warner Bros and underwritten by the Alfred P. Sloan Foundation. This week, thanks to long-time p3 correspondent James the Elder, we've got an oddity that's even . . . odder. “Make Mine Freedom” was produced by John Sutherland for Harding College, a socially conservative, church-affiliated school in Searcy, Alabama. The politics of it are a tad dated, and aren't too subtle ("Freedom to work at a job you like?" Haven't heard it put that way before. Bit of a right-to-work spin, you think?). But in fairness they're probably a little more subtle than you might expect from an institution with a list of past lecture-series speakers like this.

If your browser won't display the embedded version, click here.


p3 Bonus Toon: Jesse Springer is of two minds about the ouster of UO president Richard Lariviere: a visionary? Or a guy who deliberately antagonized the people he needed?




Test your toon-captioning chops at The New Yorker's weekly caption-the-cartoon contest. (Rules here.)

Saturday, December 3, 2011

Saturday Morning Tunes: You're a crooked jerky jockey and you ride a crooked hoss!

Uncredited, here's the legendary voice actor Thurl Ravenscroft in the performance he's second-best known for (fifty years as the voice of Tony the Tiger for Kellogg's Frosted Flakes is the first):


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