Inviting Russian Intelligence to hack
Hillary's email? Gold Star families? Joking about always having
wanted a Purple Heart? Having mothers and their crying babies ejected
from events? Those, as avant garde filmmakers used to say, are not
mistakes; those are choices. (The bit about his wife possibly having
violated immigration law when she first began working in the US as a
model – that feels like a well-timed oppo research dump. The rest
is Pure Trump.)
It's like an old Scholastic's riddle:
Trump is so easily baited that he can't keep his mouth shut (or his
thumbs off of Twitter) for even a full day at a time, and yet ever
since he mocked John McCain's years at the Hanoi Hilton last winter,
it's become clear that there's nothing he can say that will finally
be too much for his base. So is there a point where the irresistable
force of his yuge mouth finally meets the immovable object of some
(so far theoretical) "at long last, sir, have you no decency?"
boundary? I really don't know anymore.
One thing's for certain: He won't
withdraw his name from the GOP ticket just because the party elites
want him to. That's the way to make certain that he will never, ever
quit.
I still think that, if he actually does
bail before the election, it will be because he's somehow sensed he's
about to lose. It's hard to believe him thinking that about himself,
but it's also hard to tell how much of his bragging he actually
believes. Instead, I stand by my
prediction from early July: He'd claim that, simply by getting
the nomination, he's made his point and accomplished what he set out
to do and so there's no need to bother with the formality of a
general election. And in fact, taking on the duties of the President
of the United States would be a step down from simply being his
awesome, classy self. (He said as much when he floated to Kasich the
idea that, as VP, he could run the country while Trump focused on
"making America great again.")
Or perhaps, as some observers claim,
his insistence this week that the election is being "rigged"
against him is simply Trump's way of covering his bets by
mainstreaming a story that will make his loss in the general
everyone's fault but his, which is the Broadway and 42nd Street of
his comfort zone.
Of course, even in the wildly unlikely
event that Trump were to drop out of the race, who
would the Republican National Committee select to take his place
on the ticket? One of the two dozen also-rans from this spring's GOP
primaries, whose clock Trump so thoroughly cleaned? Mitt Romney? Ted
"Last Candidate Standing" Cruz? Someone untested (and
hence, unvetted)?
Today's toons were selected by the 168
members of the Republican National committee from the week's
offerings at McClatchy
DC, Cartoon Movement,
Go Comics, Politico's
Cartoon Gallery, Daryl
Cagle's Political Cartoons, About.com,
and other fine sources of toony goodness.
p3 Picks of the week: Mike
Luckovich*, Robart
Ariail, Jeff
Danziger, Brian
McFadden, Joel
Pett, Signe
Wilkinson, Matt
Weurker, and Monte
Wolverton.
p3 Best of Show: Matt
Davies.
p3 Legion of Merit: Steve
Breen.
p3 Award for Best Adaptation from
Another Medium: Steve
Benson.
p3 Certificate of Harmonic Toon
Convergence (Part 1): Robert
Ariail and Darrin
Bell.
p3 Certificte of Harmonic Toon
Convergence (Part 2): Kim
Warp and Nate
Beeler. (Honorable mention: Clay
Bennett.)
______________
*This piece by Mike Luckovich is
also awarded the coveted Driftglass
Legacy Award.
Ann Telnaes
watches in awe as the Republicans stand
by their man. You know what they say: Give a party enough
necktie, and . . .
Mark Fiore promises that no
animals were harmed in the making of this video
about Trump's sacrifices – although be warned: the phrase
"cleavage doesn't grow on trees, you know" does appear.
Tom Tomorrow identifies a
recurrent (and quite persuasive) theme at the DNC – and also brings
the first of an unlikely Bill O'Reilly trifecta of appearances in
this week's p3 toon
review.
Keith Knight serves up the
second of three Bill O'Reilly-themed pieces this week (Matt
Bors, below, is the third).
BO really is a jerk, and it's never amiss to be reminded of it.
Although
I vowed I
wasn't going to go down the "Manchurian Candidate" road,
Reuben Bolling does
end up pretty much the same place I was headed, and he manages
to make the Useful Idiot even more idiotic, which is no small
achievement.
Carol Lay
gives new life to "happily
ever after."
Red Meat's Bug-Eyed Earl greets
the day.
Although
I like the art on a particular Jim Morin piece
this week – I think he gives great elephant – Comic
Strip of the Day does a
more thorough job than I would have of explaining why idn't make
the particular cut here at p3
– although
indirectly, of course, it did.
The Comic Curmudgeon brings
up an interesting point:
Ever since high school in the early 1960s, the output of Peter
Parker's photojournalism "career" has consisted of selfies.
Vitaliky is Personaliky! I
don't think I could find a better summary of "Vim, Vigor, and
Vitaliky," directed in majestic monochrome by Dave Fleischer in
1936, than this log line from IMDB: "Popeye is running a women's
gymnasium next door to Bluto's cabaret; seeing Popeye's greater
success with women, he dresses in drag and challenges Popeye to
various feats of strength," although that stops far short of
capturing the essential weirdness of the piece. I thought it was
weird when I was a kid, and I think so today. (Seven years later,
Popeye got dressing-in-drag revenge on Bluto, in "Too Week to
Work." If you're good, I'll dig it up for next week. Uncredited
work by Jack Mercer (Popeye), Mae Questel (The Slender One), Gus
Wickie (Bluto), and Sammy Timberg (musical director).
The Exalted Oregon Toon Block:
Ex-Oregonian Jack Ohman watches
as one of our
nation's highest awards is bestowed.
Documented
Ex-Oregonian Jen Sorensen has
her
moment of reckoning at the DNC.
Matt Bors celebrates a blessed
birth.
Jesse Springer isn't
in love with a corporate tax increase to protect Oregon's public
retirement system.
Test your toon-captioning kung fu at
The New Yorker's weekly caption-the-cartoon
contest. (Rules here.)
And you can browse The New Yorker's cartoon gallery here.
The p3 Sunday Comics Read-Along:
Pearls
Before Swine, Doonesbury,
Rhymes with Orange, Zits,
Adam @ Home, Mutts,
Over the
Hedge, Get
Fuzzy, Prince
Valiant, Blondie,
Bizarro, Mother
Goose & Grimm, Rose
is Rose, Luann,
Hagar
the Horrible, Pickles,
Rubes, Grand
Avenue, Freshly
Squeezed, The Brilliant Mind
of Edison Lee, and Jumble.
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