If you didn't get farther than Hillary
literally breaking a glass ceiling this week, you probably didn't make
the cut. And the comparatively no-drama DNC convention probably made
everyone's work a little harder: About the only conflict was
generated by the Bernie Dead-Enders, and they're beginning to wear
out their p3 welcome anyway.
No
one – except for Tim Eagan, below – really seemed
to have a good handle so far on the Trump-Putin connection as it's
beginning to spill out into the daylight.
Today's toons were selected by the
dreaded 13th Directorate of Moscow Center, from the week's offerings
at McClatchy
DC, Cartoon Movement,
Go Comics, Politico's
Cartoon Gallery, Daryl
Cagle's Political Cartoons, About.com,
and other fine sources of toony goodness.
p3 Best of Show: Jeff
Danziger.
p3 Legion of Merit: Joel
Pett.
p3 Certificate of Harmonic Toon
Convergence: Marshall
Ramsey and Mike
Luckovich.
p3 Encryption Citation: Joe
Heller. The inspiration for this one might have come quickly, but
I bet that the actual execution must have taken a good deal more work
than usual.
Ann Telnaes
shares sketches from last week's Democratic
National Convention.
Mark Fiore asks: When does a
wild conspiracy theory stop being a wild conspiracy theory? When just
enough evidence floats to the surface to make
it sound like a plausible explanation. I'm
not there yet, but it does suggest a theme for the general
campaign: Trump 2016 – Keel Moose and Squirrel!
Tom Tomorrow re-caps the
Republican National Convention, a key
moment of which is Reince Priebus attack of melancolic nostalgia.
Keith Knight presents Biff,
doing what
you might have thought was impossible. Unless you're Bill
O'Reilly.
Reuben Bolling brings
us the latest edition of Super-Fun-Pak Comix, including the
long-awaited (or, shortly anticipated, depending) adventures of
Percival
Dunwoody, Idiot Time Traveler from 1909.
Carol Lay
reminds us: it's
not all beer and skittles for gods, either.
Red Meat's Ted
Johnson and Milkman Dan discover that American
political discourse isn't broken after all.
Fans
of the form lost two great talents last week: Richard Thompson,
creator of Cul de Sac
(he was 58), and Jack Davis, legendary Mad Magazine
(and TV Guide cover,
and lord knows
what all else) artist (he was 91). Brian Fies served
up a great two-part
appreciation
of Thompson at Comic Strip of the Day.
And Mad honored
its own, joining tributes by – oh hell, by two or three
generations of artists who were influenced by his work: Just Google
the keywords "jack davis tribute" and duck. One of the
best birthday presents I ever got was the CD-ROM
collection of every issue of Mad
from 1952 to 1998. It's
searchable, so I spent this week bingeing on Jack Davis features the
way others were bingeing on "Stranger Things."
Charlie Redux: Last week the
featured animation was "Little Orphan Airedale," the first
WB short featuring Charlie Dog (note that, like Smokey Bear, he
doesn't have a middle name), directed by Chuck Jones from a Tedd
Pierce story in 1947. As I
mentioned in passing, that was a reworking of " Porky's Pooch,"
directed in 1941 by Bob Clampett from a story by Warren Foster. Apart
from the obvious differences (character names, Technicolor, etc.) the
characters in Clampett's piece seem more like wind-up automatons next
to the fully realized characters that Jones created six years later.
About the only thing that carries over recognizably is Rover's
(Charlie's) line: "You ain't got no dog, and I ain't got no
master."
The Absolutely Fabulous Oregon Toon
Block:
Ex-Oregonian Jack Ohman gets
what we could hope to be the
final word on the Bernie dead-enders. I tried to make a glass
ceiling/glass wall joke out of this, but finally gave up.
Documented
Ex-Oregonian Jen Sorensen brings
it home for something we've often said around here at p3:
When it comes to risk assessment, Americans
are the worst.
Matt Bors submits this item for your approval.
Jesse Springer predicts high
times at the 2016 Oregon State Fair.
Test your toon-captioning super powers
at The New Yorker's weekly caption-the-cartoon
contest. (Rules here.)
And you can browse The New Yorker's cartoon gallery here.
The p3 Sunday Comics Read-Along:
Pearls
Before Swine, Doonesbury,
Rhymes with Orange, Zits,
Adam @ Home, Mutts,
Over the
Hedge, Get
Fuzzy, Prince
Valiant, Blondie,
Bizarro, Mother
Goose & Grimm, Rose
is Rose, Luann,
Hagar
the Horrible, Pickles,
Rubes, Grand
Avenue, Freshly
Squeezed, The Brilliant Mind
of Edison Lee, and Jumble.
No comments:
Post a Comment