What's in the news today?
Well, adding to Obama's extension of our military involvement in Afghanistan, there's now the promised-he-wouldn't introduction of American advisors (the technical term for first-into-the-war) in Syria, for reasons that aren't terribly clear.
The future of the GOP primary debates appears sketchy.
And the argument against the candidacy of Jeb! Bush appears to hang less and less on objections to American political dynasties, per se, and more on objections to American political dynasties that are plagued with generations of "daddy issues."
Well, adding to Obama's extension of our military involvement in Afghanistan, there's now the promised-he-wouldn't introduction of American advisors (the technical term for first-into-the-war) in Syria, for reasons that aren't terribly clear.
The future of the GOP primary debates appears sketchy.
And the argument against the candidacy of Jeb! Bush appears to hang less and less on objections to American political dynasties, per se, and more on objections to American political dynasties that are plagued with generations of "daddy issues."
But the main topic appears to be the
man who, as Randle Patrick McMurphy might have put it, has nosed out
The Short-Fingered Vulgarian as the bull goose loony in the Acute
ward of the GOP psychiatric hospital. (He's also the one whose face has replaced
Trump's as the most nearly omnipresent on my Facebook feed, a
situation I'd love to see remedied at the earliest possible moment.)
The trouble with Ben "Elmer Gantry" Carson is that he makes
parody, satire, even ridicule, nearly pointless. There's little a
cartoonist needs to do (or can do) beyond simply quoting the man,
accurately and in context. I wonder how many of the Carson demo even
know who Elmer Gantry is? Perhaps if we remade the film version (even with Kindle, no one's going to read Sinclair Lewis these days, dahlink), in
3-D, with Tatum Channing in the Burt Lancaster part.
Today's toons were selected after a
week of negotiations in a 67-degree Fahrenheit, multi-podium
broadcast venue, from the week's offerings at McClatchy
DC, Cartoon Movement,
Go Comics, Politico's
Cartoon Gallery, Daryl
Cagle's Political Cartoons, About.com,
and other fine sources of toony goodness.
p3 Picks of the week: Mike
Luckovich, Jeff
Danziger, Tim
Eagan, Dan
Wasserman, Signe
Wilkinson, Nick
Anderson, Darrin
Bell, Chris
Britt, Pat
Bagley, J.
D. Crowe, Matt
Wuerker, and Monte
Wolverton.
p3 Best of Show: Chan
Lowe.
p3 Legion of Merit: Ted
Rall.
p3 Award for Best Adaptation From
Another Medium (tie): Nick
Anderson, Marshall
Ramsey, Phil
Hands, and Jeff
Danziger.
p3 Good News/Bad News Award: Bob
Englehardt.
p3 World Toon Review: Patrick
Chappatte (Switzerland) and Marian
Kamensky (Austria).
Ann Telnaes asks a
pretty obvious question about borders made up out of nothing a
century ago, although her headline writer has a somewhat odd sense of
the word "predictable."
Mark Fiore presents a
new kind of debate for a new kind of candidate.
Tom Tomorrow lets us watch as
Second Amendment enthusiasts discover that the whole authority thing
is trickier
than it might appear.
Keith Knight reveals
something silly. Or allows something silly to reveal itself as
such. Probably the latter.
Reuben Bolling
reminds us: Never doubt that a
small group of thoughtful, committed citizens (numbering no more
than perhaps 1% of the country) can change the world; indeed, it's
the only thing that ever has. (Profound apologies to the legacy of Margaret Mead.)
It's a Red Meat twofer: Bug-Eyed
Earl is on
the job, and Ted Johnson acknowledges
some lingering concerns.
The Comic Strip Curmudgeon
considers you and I never have: the
horrifying opposite of the face of a man engaging in a
long-running, well-established B.C. gag.
I joked above about how many Carson
supporters do – or don't – know who Elmer Gantry is. Comic Strip
of the Day reminds me that they probably don't know who Parson Weems is either.
Hey, shrimp! Get an eyeful of this –
here's some real
window washing: "The Paneless Window Washer"
was directed by Dave Fleischer in 1937, with animation by Willard
Bowsky and the magnificently named Orestes Calpini. Uncredited: Jack
Mercer (Popeye), Gus Wicke (Bluto), and Mae Questel (The Slender
One), musical director Sammy Timberg, and scenic artist Anton Loeb,
who created those lush (even in black and white) street fronts and
building facades.
The One-Size-Fits-All Oregon Toon
Block:
Ex-Oregonian Jack Ohman pretty
much aggregates all
the Ben Carson jokes out there to be made.
Possibly Ex-Oregonian Jen Sorensen
introduces Arizona:
the land of No return.
Matt Bors looks
forward to the next year.
Jesse Springer looks at the
latest scandal at Oregon's multi-platform entertainment complex that
is also authorized to function as a nonprofit and award college
credits and wonders how
the administration could have handled it worse. (Spoiler: There
is no way the administration could have handled it worse,
starting with tolerating the conditions that let it happen in the
first place.)
Test your toon captioning spells at The
New Yorker's weekly caption-the-cartoon
contest. (Rules here.)
And you can browse The New Yorker's cartoon gallery here.
The p3 Sunday Comics Read-Along:
Pearls
Before Swine, Doonesbury,
Rhymes with Orange, Zits,
Adam @ Home, Mutts,
Over the
Hedge, Get
Fuzzy, Prince
Valiant, Blondie,
Bizarro, Mother
Goose & Grimm, Rose
is Rose, Luann,
Hagar
the Horrible, Pickles,
Rubes, Grand
Avenue, Freshly
Squeezed, The Brilliant Mind
of Edison Lee, and Jumble.
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