First, I mourn the death of Leonard
Nimoy, but you had to do something better than a "Live Long and
Prosper" reference, or Spock giving the Vulcan hand-greeting to
Saint Peter, to make the cut today.
And while I'm being an angry old man, I find it
puzzling that artists like Mike
Lester, Henry
Payne, Chip
Bok, and Steve
Breen, who must rely on some (presumably not-insubstantial) part of their
living from internet distribution and syndication, oppose the FCC's
3-2 party-line ruling this week protecting net neutrality. Can they really
cut off their own noses to spite Obama's face (at least now that it's
safe to do so)? Do they worry that their work will be less available
now? As artists who depend on social media, you really have to hate
All Things Obama a lot to do anything but take this quietly as a win
and move along. I included the links just for irony's sake.
Still it sounds like good news that the
FCC has ruled that the big internet-access companies can't charge you
extra for top-speed access to p3. We're
all pleased about that around here, since it's widely understood that
fluctuations in our traffic could decide the corporate fate Comcast,
Verizon, and Sprint.
Today's toons were selected from fake
Bill O'Reilly dispatches covering the week's offerings at McClatchy
DC, Cartoon Movement,
Go Comics, Politico's
Cartoon Gallery, Daryl
Cagle's Political Cartoons, About.com,
and other fine sources of toony goodness.
p3 Picks of the week: Mike
Luckovich, Gary
Markstein, Joel
Pett, Ted
Rall, Rob
Rogers, Signe
Wilkinson, Jeff
Danziger, Kevin
Kallaugher, Pat
Bagley, Mike
Keefe, Matt
Wuerker, and Monte
Wolverton.
p3 Legion of Merit: Tim
Eagan.
p3 World Toon Review: Terry
Mosher (Canada), Ingrid
Rice (also too Canada), Petar
Pismestrovic (Austria), and Tjeerd
Royaards (Netherlands).
Ann Telnaes presents the
Giuliani Physical
Test for Patriotism. Hint: It favors some parts of the body more
than others.
Mark Fiore comes across with one
of his best: America
the Rudyful.
Tom Tomorrow says, Think
fast! Or not at all, which is apparently an equally valid option.
Keith Knight looks
at the
trials of Boston.
Tom the Dancing Bug goes
beyond a famous 1978 SNL/Steve Martin sketch (although apparently not
famous enough to get milked for the SNL40 celebration a couple of
weeks ago) to look at the
tough life of a scientist back in the day.
Red Meat's Mister Wally savors
the seaside.
The Comic Strip Curmudgeon
celebrates a ridiculous
Spider-Man denoument, but it also gets points for reminding me of a
wonderfully silly three-part Mission: Impossible story from
1970 called "The Falcon," in which Nimoy, as Paris the
Great (a magician/master of disguise who replaced Martin Landau's
Rollin Hand on the IMF team), performed a magic cabinet stunt for a
royal court that involved Paris wearing a latex mask of Noel
Harrison's character, over which he wore another latex
mask of himself. It was complicated, not least of all the part
about understanding why the double-layered Paris didn't look like his
head was the size of a basketball. And that is my Nimoy tribute for
today.
Actually, no
it's not. This is. Because
this image always makes me laugh. Michael J. Fox once told Johnny Carson that he knew he'd "made it" when Mort Drucker drew his face.
Comic Strip of the Day explores
deep, dark fears.
Chief, don't you think that's a
dangerous mission? The first of
seventeen Superman animated shorts from the 1940s didn't actually
have a title, but it's known as "The Mad Scientist."
Directed by Dave Fleischer in 1941, it featured Bud Collyer as
Clark/Superman (he went on to voice the Man of Steel in the
subsequent radio series all the way to the dreadful 1970s mess
"Superfriends") and Joanne Alexander as Lois, plus Jack
"Popeye" Mercer as the Mad Scientist and Jackson Beck as
Perry White, plus musical direction by Sammy Timberg (listen for the
following trombones mixed into the Superman theme as the Daily Planet
building starts to topple and then is set right again!) – all
uncredited. The beautiful rotoscope animation made the few moments of
weird loopy trajectory of Lois Lane's plane stick out like a sore
thumb, but the German expressionist/film noir coloring and framing
worked so well you quickly forgot those minor snags. The look of the series of theatrical shorts, especially the first half-dozen or so, was heavily
influential on Batman: The Animated Series a half-century later. I first saw "The Mad Scientist" – and discovered the existence of that series of classic Superman toons – as
the tee-up to a campus screening of "Harold and Maude" in
the late 1970s. It was a memorable evening. And it appears that
there's no existing print of "The Mad Scientist" that doesn't have at least a little gap
after Superman saves the Planet building but before the
Electrothanasia Ray hits him.
The p3 Sunday Comics Read-Along:
Pearls
Before Swine, Doonesbury,
Rhymes with Orange, Zits,
Adam @ Home, Mutts,
Over the
Hedge, Get
Fuzzy, Prince
Valiant, Blondie,
Bizarro, Mother
Goose & Grimm, Rose
is Rose, Luann,
Hagar
the Horrible, Pickles,
Rubes, Grand
Avenue, Freshly
Squeezed, The Brilliant Mind
of Edison Lee, and Jumble.
The Big, And Getting Bigger Since We
Bent the Rules and Welcomed Back The Departed, Oregon Toon Block:11
Ex-Oregonian Jack Ohman looks at
the risks we
run when the congressional Republicans shut down the Department
of Homeland Security. I never thought DHS was a good idea, but if
we're going to have it – and all the once-separate-but-important
agencies now under its umbrella – let's at least fund the damned
thing. The irony is that the Tea Party caucus in the House, who drove
funding for DHS into the ditch simply to get back at Obama – are in
some ways the heirs to the NeoCon 9-11 exploiters who spent more time
over thirteen years ago developing the opportunistic backronym
for the USA PATRIOT Act than they spent reading
the bill before they voted on it.
Maybe or Maybe Not Ex-Oregonian Jen
Sorensen looks at that flamey
stuff that comes out of pundits' mouths.
Matt Bors wonders
if there might
be a pattern here.
Jesse Springer marks the
end of the honeymoon..
Test your toon captioning kung fu at
The New Yorker's weekly caption-the-cartoon
contest. (Rules here.)
And you can browse The New Yorker's cartoon gallery here.
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