Okay, fine.
We're letting in one last Brian
Williams toon, but only for 11% of its panels, and only because we
maintain a soft spot for the artist. But we're not wasting pixels or
links on "job fair" jokes imagining that American "boots
on the ground" will somehow get us through our third Middle East
war in 25 years with a different, better conclusion. Same with
polar-vortex-proves-climate-change-is-a-hoax cartoons. And we're
spending little time on Rudy the Rictus, and even less on his fellow
hate-monger-who's-working-to-stay-relevant Franklin Graham.
But there's little point in denying
that Joe Biden took a weird turn this week.
Today's toons were selected, between
breaks to check on friends and family back in the mega-snow zone,
from the week's offerings at McClatchy
DC, Cartoon Movement,
Go Comics, Politico's
Cartoon Gallery, Daryl
Cagle's Political Cartoons, About.com,
and other fine sources of cartoon goodness.
p3 Picks of the week: Mike
Luckovich, Ted
Rall, Tom
Toles, Signe
Wilkinson, Matt
Wuerker, Nick
Anderson, Dana
Summers, and Monte
Wolverton.
p3 Best of Show: Nick
Anderson.
p3 Legion of Merit: Jeff
Danziger.
p3 Certificate of Harmonic Toon
Convergence (Part 1): Steve
Benson and Clay
Bennett.
p3 Certificate of Harmonic Toon
Convergence (Part 3): Gary
Varvel, Cam Cardow,
Randy Bish,
and Michael
Ramirez.
p3 Award for Best Adaptation from
Another Medium: Steve
Kelley.
p3 World Toon Review: Patrick
Chappatte (Switzerland), Ingrid
Rice (Canada), Petar
Pismestrovic (Austria), and Alex
Falcó Chang (Cuba).
Ann Telnaes makes a
perfectly reasonable request.
Mark Fiore presents America:
Inventors of Eternity!
Tom Tomorrow covers well-trodden
ground until
panel seven.
Keith Knight discovers
– and rediscovers! – his badge
of honor.
Tom the Dancing Bug documents
a tragedy.
Red Meat's Ted Johnson engages
in a
little pillow talk with the missus.
The Comic Strip Curmudgeon
wrestles with a TMI episode
of Shoe.
Comic Strip of the Day casts a
doubtful eye upon literary
legacies.
Watch me move! Winsor
McCay's "Little Nemo" (1911) is one of ten animated shorts
that remain, complete or partially so, from the days when he largely
invented animated cartoons by hand (a poor but honest choice of words
to describe those pre-xerography days). McCay was always more
interested in the theoretical and artistic possibilities of the
medium, rather than the commercial, so he never patented his
animation techniques, nor did he even copyright all of his work. It's
a miracle they even exist for us to see. After promoting his art for
many years on the vaudeville circuit, he gave a set of the original
films – on nitrate stock, which was susceptible to fire, chemical
decomposition, and lord knows what else – to a friend who kept them
in his garage, unattended, until the late 1940s. (They were
painstakingly restored over the course of several years after their
rediscovery, and are now in the Library of Congress.) Early theater
audiences weren't entirely sure what to make of comic strips that
moved (it would take Disney, a decade later, to set down the
story-telling conventions that would govern animation through its
golden age), which is why the film begins with a group of clubbing
New York actors and artists (including George McManus, who created
the classic strip "Bringing Up Father," starring Jiggs and
his wife Maggie) and McCay betting that he can in one month make 4000
drawings move.
The p3 Sunday Comics Read-Along:
Pearls
Before Swine, Doonesbury,
Rhymes with Orange, Zits,
Adam @ Home, Mutts,
Over the
Hedge, Get
Fuzzy, Prince
Valiant, Blondie,
Bizarro, Mother
Goose & Grimm, Rose
is Rose, Luann,
Hagar
the Horrible, Pickles,
Rubes, Grand
Avenue, Freshly
Squeezed, The Brilliant Mind
of Edison Lee, and Jumble.
The Big, And Getting Bigger Since We
Welcomed Back The Departed, Oregon Toon Block:
Ex-Oregonian Jack Ohman looks
at the threat level.
Maybe, Possibly, Ex-Oregonian Jen
Sorensen feels for Mother Earth: "I'm
just a maid around here!"
Matt Bors illustrates
one of several reasons I fear
for the future of my niece and nephew.
Jesse Springer marks Oregonians
turning a page
(an Oregonian editorial joke?) this week to greet their new
governor, while taking a shot at a largely pointless distinction many
of her fans like to celebrate.
Test your toon captioning kung fu at
The New Yorker's weekly caption-the-cartoon
contest. (Rules here.)
And you can browse The New Yorker's cartoon gallery here.
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