I predicted that Obama's beige suit would be a frequently-hit target this week, but while there were a handful of attempts, most came off as bland as the POTUS's suit (and its predecessors, going back through
I also predicted that there would be
more Labor Day cartoons out there, but perhaps artists are taking the
holiday weekend off. As has been discussed here before, Labor Day
(along with Memorial Day and Fourth of July) is not necessarily a
holiday that inspires editorial cartoonists to their most creative
moments anyway, so. . . .
Perhaps the only theme I successfully
predicted was the Burger-King-moving-to-Canada
story, which did better for itself in quantity than quality.
One good thing I would not have
predicted: The shooting of Michael Brown by Ferguson, Missouri,
police has not gone away. In fact, it's split into two stories, both
of which deserve attention: The death of Brown, and the nationwide
militarization of local police and their consequent alienation from
the citizens they're supposed to protect and serve.
Today's toons were selected by a
complex system involving average presidential vacation days as a
function of the total number of bullets in the clip of a Uzi,
expressed as the natural logarithm of the week's offerings at
McClatchy DC,
Cartoon Movement, Go
Comics, Politico's
Cartoon Gallery, Daryl
Cagle's Political Cartoons, About.com,
and other fine sources of toony goodness.
p3 Picks of the week: Mike
Luckovich, Joel
Pett, Ted
Rall, Ben
Sargent, Tom
Toles, Nick
Anderson, Pat
Bagley, R.
J. Matson, Bob
Englehart, David
Fitzsimmons, Matt
Wuerker, and Monte
Wolverton.
p3 Best of Show: Lalo
Alcaraz.
p3 Legion of Merit: Jeff
Danziger.
p3 Same Premise/Opposite Conclusions
Award: Signe
Wilkinson and Rick
McKee.
p3 Award for Best Adaptation from
Another Medium: Darrin
Bell.
p3 World Toon Review: Payam
Boromand (Iran) and Tomas
(Italy).
Ann Telnaes creates an image
that's at once cute and chilling. By the way, there is an easily
locatable video clip of the child and her "instructor" on
YouTube, although mercifully it stops just moments before things go
from idiotic to horrific. But it seems to me that the video could
only have come from one of two places: Somebody – The folks at
Bullets and Burgers where this happened? The parents who thought this
was a good idea and will now have to endow a trust fund to pay for
their daughter's psychotherapy for the rest of her life? -- thought it was a good idea to record this special moment so it could be shared with Facebook
friends later. We are a sick sad country.
Mark Fiore updates
an old military standard.
Tom Tomorrow draws five
lessons from Ferguson.
Keith Knight keeps not getting
what he hopes and prays for, so he
figures he might as well run with it.
Tom the Dancing Bug enlists
God-Man (the superhero with omnipotent powers) to demonstrate the
concept of proportionate
response in law enforcement.
Red Meat's Johnny Lemonhead may
need to move
up to the next level of health care insurance coverage.
The Comic Strip Curmudgeon
uncovers an ancient and
nameless horror. In Beetle Bailey.
Comic Strip of the Day tees
off with a reference to one of my favorite moments from the
Golden Age of Television, moves from there to the Matt Wuerker and
Lalo Alcaraz toons I also took a liking to, from there to Pat
Buchanan's cojones (an image that I fear may be burned into my
retina for a few days), and then hits cruising altitude over a
problem that I was surprised to see get so much media play this week
(although I'm flying coach later this week and inadvertently egged the
story along in my small way – but my ace in the hole is that even
if I get miraculously upgraded to first class and arrive at my
destination on time, I've already placed myself into the hands of the
domestic airline industry with the assumption that my day will be
ruined so why worry).
Ain't you the one? "Swing
Shift Cinderella" was directed in 1945 by Tex Avery, and it
includes most of his signature bits: Extreme-driven animation,
plentiful sight gags and visual puns, and the recurring character of
of the red-headed bombshell with Katharine Hepburn's trademark
Mid-Atlantic accent. (Hint: The
MGM/Avery animated short before this was "Red Hot Riding Hood,"
and the next in the series was "Little Red Riding Hood.")
Uncredited talent: Sarah Berner (Little Red Riding Hood, Goldilocks,
and Fairy Godmother), Frank Graham (Wolf), and Imogene Lynn
(Goldilocks' singing voice). Musical director Scott Bradley lifted
from "Frankie and Johnny," "You're in the Army Now,"
and "Clang Clang Clang Went the Trolly," and probably wrote
the stage number "Oh, Wolfie!" World War II in-jokes
abound: Gas rationing stickers, women working as night-shift welders
at defense plants, and more.
YouTube
doesn't have a copy of SSC, so you're invited to watch it here
at DailyMotion.
The p3 Sunday Comics Read-Along:
Pearls
Before Swine, Doonesbury,
Rhymes with Orange, Zits,
Adam @ Home, Mutts,
Over the
Hedge, Get
Fuzzy, Prince
Valiant, Blondie,
Bizarro, Mother
Goose & Grimm, Rose
is Rose, Luann,
Hagar
the Horrible, Pickles,
Rubes, Grand
Avenue, Freshly
Squeezed, The Brilliant Mind
of Edison Lee, and Jumble.
The Big, And Getting Bigger Since We
Began Cheating Shamelessly By Welcoming Back The Departed, Oregon
Toon Block:
Ex-Oregonian Jack Ohman has an
Obama/golf panel that rises above what's been the run of things
for the last month. Not too sympathetic, but not disdainful either.
Possibly Ex-Oregonian Jen Sorensen
has a
nice if-only this week.
Matt Bors takes
note of the
most ill-timed movie release since Foul Play in 1978.
Jesse Springer looks at the
latest unpromising turn of the Cover Oregon debacle. And now
weapons are being drawn.
Test your toon captioning mojo at The
New Yorker's weekly caption-the-cartoon
contest. (Rules here.)
And you can browse The New Yorker's cartoon gallery here.
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